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Curated Treasures
JULIA NOBLE Huge Original Mixed Media "After Picasso, Pink and Green"
JULIA NOBLE Huge Original Mixed Media "After Picasso, Pink and Green"
Regular price
£1,495.00 GBP
Regular price
£1,495.00 GBP
Sale price
£1,495.00 GBP
Taxes included.
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Artist: Julia Noble
Title: Pink & Green (After Picasso "Fleur de Lis")
Medium: Mixed media on stitched cloth resin bonded to Plywood
Edition: Original, One of a kind. Exhibited at Highgate Gallery @ HSLI 2017
Artwork Dimensions: 100cm x 150cm (39.5" x 59")
Frame Dimensions: na
Condition: Image: Good. Edges have signs of wear but are secure.
Gallery Price: $4,000 (£3000)
About the artwork
The artwork sits firmly within the expressive, process‑driven language Julia Noble developed around the time of her Highgate Gallery (HLSI) exhibition, where colour, rhythm and layered gesture became central to her practice. In this piece, Noble draws upon the structural cues of Fleur de Lis from Picasso’s late period, not as imitation but as a point of departure — a way of exploring how overlapping forms, looping contours and chromatic tension can be re‑imagined through her own material sensibility.
The composition feels alive with movement: translucent veils of colour drift across denser passages, while biomorphic shapes pulse in and out of focus, creating a sense of depth that is both playful and deliberate. The work carries the hallmarks of Noble’s Highgate era — the confidence of her mark‑making, the orchestration of saturated hues, and the subtle interplay between control and spontaneity — yet the reference to Picasso introduces an additional layer of dialogue, positioning the painting within a lineage of modernist experimentation while remaining unmistakably her own.
About the Artist
Julia Noble is a British contemporary artist whose practice centres on colour, rhythm and the expressive possibilities of layered abstraction. Working across painting and mixed media, she explores the tension between spontaneity and structure, allowing forms to emerge through a process of intuitive mark‑making, translucent veils and repeated gestures. Her work often carries a sense of movement — loops, biomorphic shapes and interlocking planes that seem to drift, collide or hover — creating compositions that feel both playful and deliberate. Noble’s exhibition at Highgate Gallery (HLSI) marked a significant moment in her development, showcasing a body of work in which colour became a structural force and the surface itself a site of negotiation between control and chance. Although she draws on a wide range of influences, from modernist abstraction to botanical forms and the material behaviour of paint, her practice remains unmistakably her own: vibrant, rhythmic and deeply engaged with the physicality of making. Noble’s paintings have been exhibited widely and collected internationally, valued for their energy, luminosity and the quiet complexity that unfolds through repeated viewing.
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